referat.am kursayinner referatner diplomayinner tezer պատվիրել աշխատանքներ description_1 <p>Bibliography</p> <ol> <li>Allwood, J. 1976. Linguistic communication as action and cooperation. &ldquo;A study in pragmatics&rdquo;. Univ. of Goteborg, Dept. of Linguistics.</li> <li>Brizard F. Epistemia &ldquo;Intersections of Tense and Aspect in the English Verb; the Paradigm of Present&rdquo;, Szczecin, 2005.</li> <li>Harmer, Jeremy, &ldquo;The practice English language teaching&rdquo;; London-New York; Longman,1991</li> <li>Kravchenko A.V. &ldquo;Everything Said is Said by an Observer; the Cognitive Distinction, between the Infinitive / Participle Clausal Arguments. Paper Presented at the Conference&rdquo;. From Grammar to Mind; Grammar as Cognition, Bardeux, France, May 2001.</li> <li>Matthews Peter H. 1991, &ldquo;Morphology&rdquo; Cambridge; Cambridge University Press.</li> <li>Osten Dahi &ldquo;Tense and Aspect Systems&rdquo;, Oxford, 1985</li> <li>Thompson S. A., &amp; Thompson, R. M. 1982. The discourse motivation for the perfect aspect: The Mandarin Particle <strong>LE. </strong>In Hopper (ed.) 1982b.</li> <li>Tedeshi, P &amp; Zaenen,. Syntax and semantics 14: Tense and aspect. New York: Academic Press. A. (eds). 1981.</li> </ol> <p>Fiction.</p> <ol> <li>Harold Robbins &ldquo;Never Love a Stranger,,</li> <li>Victor Hugo &ldquo;The Outcasts&rdquo; (Les Miserebles)</li> </ol> <p style="margin-left:45.0pt">&nbsp;</p> description_2 <p><span style="font-size:12px">Introduction</span></p> <p><span style="font-size:12px">Chapter I</span></p> <p><span style="font-size:12px">General Survey of the Categories of Tense and Perfect</span></p> <p><span style="font-size:12px">1.1.Basic Characteristics of Category of Tense&nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</span></p> <p><span style="font-size:12px">1.2. Basic Characteristics of Perfect and Perfective</span></p> <p><span style="font-size:12px">Chapter II &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></p> <p><span style="font-size:12px">The&nbsp; Functional&nbsp; Semantic&nbsp; Intersection&nbsp; of&nbsp; the&nbsp; Categories&nbsp; of&nbsp; Tense&nbsp; and&nbsp; Perfect in&nbsp; Modern&nbsp; English</span></p> <p><span style="font-size:12px">Conclusion</span></p> <p><span style="font-size:12px">Bibliography</span></p> <p><span style="font-size:12px">Fiction</span></p> title_arm The Verb title_eng convertot_1 The Verb convertot_2 The Verb convertot_3 The Verb convertot_4 The Verb convertot_5 The Verb convertot_6 The Verb convertot_7 The Verb convertot_8 The Verb convertot_9 The Verb convertot_10 The Verb convertot_11 The Verb convertot_13 The Verb convertot_14 The Verb convertot_15 The Verb convertot_16 The Verb convertot_17 The Verb convertot_18 The Verb