Մենք հանդիսանում ենք կապող օղակ հեղինակների և պատվիրատուների միջև:

Մեր կայքում դուք կարող եք պատվիրել նյութեր՝ ուղղիղ կապ հաստատելով մասնագետներից ցանկացածի հետ:
    Color Terms Equivalence in Different Languages

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    Color Terms Equivalence in Different Languages

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    Bibliographyresponsibilities in the outside world: "The woods are lovely, dark and deep/But I have promises to keep/And miles to go before I sleep," (Frost 1139). The woods are described as completely silent, dark, still, calm, lovely, and deep, all descriptions that could be associated with deep sleep or death to a weary traveler, such as the narrator. The poem itself can be read as the narrator's temptation to stop his life's journey and finally rest, but resisting the urge and continuing on his way.

    Nature, as we have seen, works very well symbolically in these poems. Shakespeare, Wordsworth, and Frost all found some sort of inspiration from simple scenes of nature and used them to convey their emotions and feeling in their poetry.

     

    1. Гордиенко А. Н. Энциклопедия символов. — М.: ЭКСМО, 2007. 
    2. Лосев А. Ф. Проблема символа и реалистическое искусство. — 2-е изд., испр. — М.: Искусство, 1995. — 320 с.
    3. Abramov, I. (1997). Physiological mechanisms of color vision. In C. L. Hardin & L. Maffi (Eds.), Color categoriesin thought and language (pp. 89–117). Cambridge, UK: Cambridge University Press.
    4. Barr, D. J. (2004). Establishing conventional communication systems: Is common knowledge necessary? CognitiveScience, 28, 937–962.
    5. Belpaeme, T., & Bleys, J. (2005). Explaining universal color categories through a constrained acquisition process.Adaptive Behavior, 13, 293–310.
    6. Berlin, B., & Kay, P. (1969). Basic color terms. Berkeley: University of California Press.
    7. Boynton, R. M., & Olson, C. X. (1987). Locating basic colors in the OSA space. Color Research and Application,12, 94–105.
    8. De Valois, K. K.,&De Valois, R. L. (2001). Color vision. In N. J. Smelser&P. B. Baltes (Eds.), International encyclopediaof the social and behavioral sciences (pp. 2252–2256). Amsterdam: Elsevier.
    9. De Valois, R. L., Abramov, I., & Jacobs, G. H. (1966). Analysis of response patterns of LGN cells. Journal of theOptical Society of America, 56, 966–977.
    10. Foley, W. A. (1997). Anthropological linguistics: An introduction. Malden, MA: Blackwell.
    11. Hardin, C. L. (1999). Color relations and the power of complexity: Commentary on Palmer (1999). Behavioral andBrain Sciences, 22, 953–954.
    12. Heider, E. R. (1972). Universals of color naming and memory. Journal of Experimental Psychology, 93, 10–20.
    13. Hurford, J. R. (1987). Language and number: The emergence of a cognitive system. New York: Basil Blackwell.
    14. Indow, T. (1988). Multidimensional studies of Munsell color solid. Psychological Review, 95, 456–470.
    15. Jameson, K., & D’Andrade, R. G. (1997). It’s not really red, yellow, green, blue: An inquiry into perceptual colorspace. In C. L. Hardin & L. Maffi (Eds.), Color categories in thought and language (pp. 295–319). Cambridge,UK: Cambridge University Press.
    16. Kay, P. (1975). Synchronic variability and diachronic change in basic color terms. Journal of Language in Society,4, 257–270.
    17. Kay, P. (1999). Asymmetries in the distribution of composite and derived basic color categories. Commentary onPalmer (1999). Behavioral and Brain Sciences, 22, 957–958.
    18. Kay, P., Berlin, B., Maffi, L., & Merrifield,W. (1997). Color naming across languages. In C. L. Hardin & L. Maffi(Eds.), Color categories in thought and language (pp. 21–56). Cambridge, UK: Cambridge University Press.
    19. Kay, P., Berlin B., & Merrifield,W. R. (1991). Biocultural implications of systems of color naming. Journal of LinguisticAnthropology, 1, 12–25.
    20. Kay, P., & Maffi, L. (1999). Color appearance and the emergence and evolution of basic color lexicons. AmericanAnthropologist, 101, 743–760.
    21. Kay, P., & McDaniel, K. (1978). The linguistic significance of the meanings of basic color terms. Language, 54,610–646.
    22. Kay, P., & Regier, T. (2003). Resolving the question of color naming universals. Proceedings of the National Academyof Sciences of the United States of America, 100, 9085–9089.
    23. Kuehni, R. G. (1997). Color: An introduction to practice and principles. New York: Wiley.
    24. Levinson, S. C. (2000). Yélî Dnye and the theory of basic color terms. Journal of Linguistic Anthropology, 10, 3–55.
    25. MacAdam, D. L. (1974). Uniform color scales. Journal of the Optical Society of America, 64, 1691–1702.
    26. MacLaury, R. E. (1997a). Color and cognition in mesoamerica: Construing categories as vantages. Austin: Universityof Texas Press.
    27. Palmer, S. E. (1999). Color, consciousness, and the isomorphism constraint. Behavioral and Brain Sciences, 22,923–943.
    28. Ratliff, F. (1976). On the psychophysiological bases of universal color terms. Proceedings of the American PhilosophicalSociety, 120, 311–330.
    29. Roberson, D., Davies, I., & Davidoff, J. (2000). Color categories are not universal: Replications and new evidencefrom a Stone-Age culture. Journal of Experimental Psychology: General, 129, 369–398.
    30. Saunders, B. A. C. (1992). The invention of basic color terms. Utrecht, Netherlands: ISOR.
    31. Steels, L., & Belpaeme, T. (2005). Coordinating perceptually grounded categories through language: A case studyfor color. Behavioral and Brain Sciences, 28, 469–529.
    32. Taylor, J. R. (1989). Linguistic categorization: Prototypes in linguistic theory. Oxford, UK: Oxford UniversityPress.
    33. Tenenbaum, J. B., & Xu, F. (2000). Word learning as Bayesian inference. In L. R. Gleitman & A. K. Joshi (Eds.)
    34. Webster, M. A., Miyahara, E., Malkoc, G.,&Raker,V. E. (2000).Variations in normal color vision: II.Journal of the Optical Society of America A, 17, 1545–1555.
    35. Yendrikhovskij, S. N. (2001). Computing color categories from statistics of natural images. Journal of Imaging Scienceand Technology, 45, 409–417.
    36. Zadeh, L. A. (1965). Fuzzy sets. Information and Control, 8, 338–353.

    responsibilities in the outside world: "The woods are lovely, dark and deep/But I have promises to keep/And miles to go before I sleep," (Frost 1139). The woods are described as completely silent, dark, still, calm, lovely, and deep, all descriptions that could be associated with deep sleep or death to a weary traveler, such as the narrator. The poem itself can be read as the narrator's temptation to stop his life's journey and finally rest, but resisting the urge and continuing on his way.

    Nature, as we have seen, works very well symbolically in these poems. Shakespeare, Wordsworth, and Frost all found some sort of inspiration from simple scenes of nature and used them to convey their emotions and feeling in their poetry

     

    Introduction

    Chapter 1.

    1.1.The Notion of Color

    1.2. Color Terms Typology

    Chapter 2.

    2.1.The Use of Colors in Different Languages

    2.2. Cultural Differences

    Conclusion

    Bibliography

    Եթե կայքում տեղադրված ինֆորմացիյան բավարար չէ հասկանալու համար նյութի պարունակությունը ուղարկեք հարցում և մեր մասնագետները կարճ ժամանակում կուղարկեն Ձեզ անրաժեշտ ինֆորմացիյան:
    Ուղարկել հարցում

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    Պատվիրել նյութ

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    Լրացրեք բոլոր դաշտերը
    Ձեր պատվերը հաջողությամբ ընդունված է: Մեր մասնագետները կարճ ժամանակ հետո կապ կհաստատեն Ձեզ հետ:

    referat.am kursayinner referatner diplomayinner tezer պատվիրել աշխատանքներ description_1

    Bibliographyresponsibilities in the outside world: "The woods are lovely, dark and deep/But I have promises to keep/And miles to go before I sleep," (Frost 1139). The woods are described as completely silent, dark, still, calm, lovely, and deep, all descriptions that could be associated with deep sleep or death to a weary traveler, such as the narrator. The poem itself can be read as the narrator's temptation to stop his life's journey and finally rest, but resisting the urge and continuing on his way.

    Nature, as we have seen, works very well symbolically in these poems. Shakespeare, Wordsworth, and Frost all found some sort of inspiration from simple scenes of nature and used them to convey their emotions and feeling in their poetry.

     

    1. Гордиенко А. Н. Энциклопедия символов. — М.: ЭКСМО, 2007. 
    2. Лосев А. Ф. Проблема символа и реалистическое искусство. — 2-е изд., испр. — М.: Искусство, 1995. — 320 с.
    3. Abramov, I. (1997). Physiological mechanisms of color vision. In C. L. Hardin & L. Maffi (Eds.), Color categoriesin thought and language (pp. 89–117). Cambridge, UK: Cambridge University Press.
    4. Barr, D. J. (2004). Establishing conventional communication systems: Is common knowledge necessary? CognitiveScience, 28, 937–962.
    5. Belpaeme, T., & Bleys, J. (2005). Explaining universal color categories through a constrained acquisition process.Adaptive Behavior, 13, 293–310.
    6. Berlin, B., & Kay, P. (1969). Basic color terms. Berkeley: University of California Press.
    7. Boynton, R. M., & Olson, C. X. (1987). Locating basic colors in the OSA space. Color Research and Application,12, 94–105.
    8. De Valois, K. K.,&De Valois, R. L. (2001). Color vision. In N. J. Smelser&P. B. Baltes (Eds.), International encyclopediaof the social and behavioral sciences (pp. 2252–2256). Amsterdam: Elsevier.
    9. De Valois, R. L., Abramov, I., & Jacobs, G. H. (1966). Analysis of response patterns of LGN cells. Journal of theOptical Society of America, 56, 966–977.
    10. Foley, W. A. (1997). Anthropological linguistics: An introduction. Malden, MA: Blackwell.
    11. Hardin, C. L. (1999). Color relations and the power of complexity: Commentary on Palmer (1999). Behavioral andBrain Sciences, 22, 953–954.
    12. Heider, E. R. (1972). Universals of color naming and memory. Journal of Experimental Psychology, 93, 10–20.
    13. Hurford, J. R. (1987). Language and number: The emergence of a cognitive system. New York: Basil Blackwell.
    14. Indow, T. (1988). Multidimensional studies of Munsell color solid. Psychological Review, 95, 456–470.
    15. Jameson, K., & D’Andrade, R. G. (1997). It’s not really red, yellow, green, blue: An inquiry into perceptual colorspace. In C. L. Hardin & L. Maffi (Eds.), Color categories in thought and language (pp. 295–319). Cambridge,UK: Cambridge University Press.
    16. Kay, P. (1975). Synchronic variability and diachronic change in basic color terms. Journal of Language in Society,4, 257–270.
    17. Kay, P. (1999). Asymmetries in the distribution of composite and derived basic color categories. Commentary onPalmer (1999). Behavioral and Brain Sciences, 22, 957–958.
    18. Kay, P., Berlin, B., Maffi, L., & Merrifield,W. (1997). Color naming across languages. In C. L. Hardin & L. Maffi(Eds.), Color categories in thought and language (pp. 21–56). Cambridge, UK: Cambridge University Press.
    19. Kay, P., Berlin B., & Merrifield,W. R. (1991). Biocultural implications of systems of color naming. Journal of LinguisticAnthropology, 1, 12–25.
    20. Kay, P., & Maffi, L. (1999). Color appearance and the emergence and evolution of basic color lexicons. AmericanAnthropologist, 101, 743–760.
    21. Kay, P., & McDaniel, K. (1978). The linguistic significance of the meanings of basic color terms. Language, 54,610–646.
    22. Kay, P., & Regier, T. (2003). Resolving the question of color naming universals. Proceedings of the National Academyof Sciences of the United States of America, 100, 9085–9089.
    23. Kuehni, R. G. (1997). Color: An introduction to practice and principles. New York: Wiley.
    24. Levinson, S. C. (2000). Yélî Dnye and the theory of basic color terms. Journal of Linguistic Anthropology, 10, 3–55.
    25. MacAdam, D. L. (1974). Uniform color scales. Journal of the Optical Society of America, 64, 1691–1702.
    26. MacLaury, R. E. (1997a). Color and cognition in mesoamerica: Construing categories as vantages. Austin: Universityof Texas Press.
    27. Palmer, S. E. (1999). Color, consciousness, and the isomorphism constraint. Behavioral and Brain Sciences, 22,923–943.
    28. Ratliff, F. (1976). On the psychophysiological bases of universal color terms. Proceedings of the American PhilosophicalSociety, 120, 311–330.
    29. Roberson, D., Davies, I., & Davidoff, J. (2000). Color categories are not universal: Replications and new evidencefrom a Stone-Age culture. Journal of Experimental Psychology: General, 129, 369–398.
    30. Saunders, B. A. C. (1992). The invention of basic color terms. Utrecht, Netherlands: ISOR.
    31. Steels, L., & Belpaeme, T. (2005). Coordinating perceptually grounded categories through language: A case studyfor color. Behavioral and Brain Sciences, 28, 469–529.
    32. Taylor, J. R. (1989). Linguistic categorization: Prototypes in linguistic theory. Oxford, UK: Oxford UniversityPress.
    33. Tenenbaum, J. B., & Xu, F. (2000). Word learning as Bayesian inference. In L. R. Gleitman & A. K. Joshi (Eds.)
    34. Webster, M. A., Miyahara, E., Malkoc, G.,&Raker,V. E. (2000).Variations in normal color vision: II.Journal of the Optical Society of America A, 17, 1545–1555.
    35. Yendrikhovskij, S. N. (2001). Computing color categories from statistics of natural images. Journal of Imaging Scienceand Technology, 45, 409–417.
    36. Zadeh, L. A. (1965). Fuzzy sets. Information and Control, 8, 338–353.

    responsibilities in the outside world: "The woods are lovely, dark and deep/But I have promises to keep/And miles to go before I sleep," (Frost 1139). The woods are described as completely silent, dark, still, calm, lovely, and deep, all descriptions that could be associated with deep sleep or death to a weary traveler, such as the narrator. The poem itself can be read as the narrator's temptation to stop his life's journey and finally rest, but resisting the urge and continuing on his way.

    Nature, as we have seen, works very well symbolically in these poems. Shakespeare, Wordsworth, and Frost all found some sort of inspiration from simple scenes of nature and used them to convey their emotions and feeling in their poetry

     

    description_2

    Introduction

    Chapter 1.

    1.1.The Notion of Color

    1.2. Color Terms Typology

    Chapter 2.

    2.1.The Use of Colors in Different Languages

    2.2. Cultural Differences

    Conclusion

    Bibliography

    title_arm Color Terms Equivalence in Different Languages title_eng convertot_1 Color Terms Equivalence in Different Languages convertot_2 Color Terms Equivalence in Different Languages convertot_3 Color Terms Equivalence in Different Languages convertot_4 Color Terms Equivalence in Different Languages convertot_5 Color Terms Equivalence in Different Languages convertot_6 Color Terms Equivalence in Different Languages convertot_7 Color Terms Equivalence in Different Languages convertot_8 Color Terms Equivalence in Different Languages convertot_9 Color Terms Equivalence in Different Languages convertot_10 Color Terms Equivalence in Different Languages convertot_11 Color Terms Equivalence in Different Languages convertot_13 Color Terms Equivalence in Different Languages convertot_14 Color Terms Equivalence in Different Languages convertot_15 Color Terms Equivalence in Different Languages convertot_16 Color Terms Equivalence in Different Languages convertot_17 Color Terms Equivalence in Different Languages convertot_18 Color Terms Equivalence in Different Languages