referat.am kursayinner referatner diplomayinner tezer պատվիրել աշխատանքներ description_1 <p><strong>Bibliography:</strong></p> <p><a name="abrams">Abrams</a>, M. H. &quot;Allusion,&quot; A Glossary of Literary Terms. 3d ed. New York: Holt, Rinehart and Winston, 1971.</p> <p>Alter, Robert. The Art of Biblical Narrative. New York: Basic Books, 1981.</p> <p>Arnold, Matthew. Preface to God and the Bible (1875), reprinted in Matthew Arnold Prose and Poetry. Ed. Archibald L. Bouton. New York: Charles Scribner&#39;s Sons, 1927.</p> <p>Arnold, Dr. Thomas. Sermon 37. Christian Life, Its Course, Its Hindrances, and Its Helps. London: B. Fellowes, 1841.</p> <p>Bakhtin, M. M. &quot;Avtor i geroi v esteticheskoi deiatel&#39;nosti&quot; (Author and Protagonist in Aesthetic Activity), in Estetika slovesnogo tvorchestva (The Aesthetics of Verbal Art). Moskva: Iskusstvo, 1979.</p> <p>Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature. Trans. Willard R. Trask. Princeton: Princeton University Press, 1953.</p> <p>Bakhtin, M. M. &quot;Discourse in the Novel,&quot; in The Dialogic Imagination: Four Essays by M. M. Bakhtin, ed. Michael Holquist, and trans. Caryl Emerson and M. Holquist. Austin: University of Texas Press, 1981.</p> <p>Ben-Porat, Ziva. &quot;The Poetics of Literary Allusion,&quot; PTL: A journal for Descriptive Poetics and Theory of Literature 1 (1976).</p> <p>Booth, Wayne. A Rhetoric of Irony. Chicago: University of Chicago Press, 1974.</p> <p>Dickens, Charles. Selected Short Fiction. Ed. Deborah A. Thomas [Harmondsworth: Penguin, 1976.</p> <p>[Collins, Wilkie]. &quot;To Think, or Be Thought For?&quot; Household Words 14 (13 September 1856): 193-98.</p> <p>[Eagles, John], &quot;A Few Words about Novels &mdash; a Dialogue,&quot; Blackwood&#39;s Magazine 64 (October 1848), reprinted in Dickens: The Critical Heritage, ed. Philip Collins (London: Routledge and Kegan Paul, 1971).</p> <p>Eagleton, Terry. Literary Theory: An Introduction. Minneapolis: University of Minnesota Press, 1983.</p> <p>Eliot, George. Middlemarch. Ed. Bert G. Hornback. Norton Critical Edition. New York: W. W. Norton, 1977.</p> <p>Eliot, T. S. &quot;Tradition and the Individual Talent&quot; (1919), in Selected Essays. New ed. New York: Harcourt, Brace and Company, 1950.</p> <p>Ford, George H. Dickens and His Readers: Aspects of Novel-Criticism Since 1836. New York: W. W. Norton, 1965.</p> <p>Ford, George H., and Lauriat Lane, Jr., eds. The Dickens Critics. Ithaca: Cornell University Press, 1961</p> <p>&nbsp;</p> <p>Matthew Bevis, The Art of Eloquence: Byron, Dickens, Tennyson, Joyce (OUP, 2007)<br /> <br /> John Bowen, &#39;Counting on: A Tale of Two Cities&#39; in Colin Jones, Jo McDonagh and Jon Mee (eds.), Charles Dickens, A Tale of Two Cities and the French Revolution (Basingstoke: Palgrave, 2009) 104-124.<br /> <br /> John Bowen, &#39;Uncanny gifts, strange contagion: allegory in Dickens&rsquo;s The Haunted Man&#39; in Deirdre David and Eileen Gillooly (eds.), Contemporary Dickens (Columbus: Ohio State University Press, 2008) 75-92.<br /> <br /> John Bowen and Robert L. Patten (eds.), Palgrave Advances in Charles Dickens Studies (Palgrave, 2006)<br /> <br /> John Bowen, Other Dickens: Pickwick to Chuzzlewit (OUP, 2000)<br /> <br /> John Butt and Kathleen Tillotson, Dickens at Work (London, 1957)<br /> <br /> John Carey, The Violent Effigy: A Study of Dickens&rsquo;s Imagination (Faber, 1974)<br /> <br /> Robert Douglas-Fairhurst, &lsquo;Dickens: Going Astray&rsquo; in Adrian Poole (ed.), The Cambridge Companion to English Novelists (CUP, 2010)<br /> <br /> Robert Douglas-Fairhurst, &lsquo;Introduction&rsquo; to Great Expectations (OUP, 2008)<br /> <br /> Robert Douglas-Fairhurst, &lsquo;Introduction&rsquo; to A Christmas Carol and Other Christmas Books (OUP, 2006)<br /> <br /> Robert Douglas-Fairhurst, Victorian Afterlives (OUP, 2002)<br /> <br /> Barbara Hardy, Dickens and Creativity (Continuum, 2008)<br /> <br /> Simon J. James,&#39;Pip&#39;s Counterfeit Money: Forgery and Great Expectations&#39;, in Peter Knight and Jonathan Long, Fakes and Forgeries (Amersham: Cambridge Scholars Press), 41-49.<br /> <br /> Simon J. James, &#39;The Mystery of Edwin Drood&#39;, in David Paroissien (ed.), The Blackwells Companion to Charles Dickens (Oxford: Blackwells, 2008)<br /> <br /> Mark Lambert, Dickens and the Suspended Quotation (New Haven, CT, 1981)<br /> <br /> Clare Pettitt, Patent Inventions: Intellectual Property and the Victorian Novel (Oxford: OUP, 2004)<br /> <br /> Adrian Poole and Rebekah Scott, &#39;Dickens&#39;, in Poole (ed.), Great Shakespeareans: Scott, Dickens, Eliot, Hardy (London: Continuum, forthcoming 2011)<br /> <br /> Corinna Russell (ed.), Lives of Victorian Literary Figures, vol. 2, Charles Dickens. (London: Pickering &amp; Chatto, 2003)<br /> <br /> Helen Small, &lsquo;The Debt to Society: Dickens, Fielding, and the Genealogy of Independence&rsquo;, in Francis O&#39;Gorman and Katherine Turner (eds), The Victorians and the Eighteenth Century (Aldershot, 2003), 14-40<br /> <br /> Garrett Stewart, Novel Violence (University of Chicago Press, 2009)<br /> <br /> Garrett Stewart, &lsquo;Dickens and Language&rsquo; in John O. Jordan (ed.), The Cambridge Companion to C</p> description_2 <p><strong>Contents</strong></p> <p>&nbsp;</p> <p><strong>Introduction</strong></p> <p><strong>Part 1</strong></p> <ol> <li><strong>&nbsp;CHRISTMAS TALE</strong></li> </ol> <p><strong>2) Christmas stories.</strong></p> <ol> <li><strong>Christmas poetry</strong></li> </ol> <p><strong>Part 2</strong></p> <p>Part 3</p> <p><strong>Analyses of &ldquo;A Little Match Girl&rdquo;</strong></p> <p><strong>Conclusion</strong></p> <p><strong>Bibliography:</strong></p> title_arm Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction) title_eng convertot_1 Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction) convertot_2 Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction) convertot_3 Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction) convertot_4 Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction) convertot_5 Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction) convertot_6 Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction) convertot_7 Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction) convertot_8 Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction) convertot_9 Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction) convertot_10 Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction) convertot_11 Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction) convertot_13 Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction) convertot_14 Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction) convertot_15 Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction) convertot_16 Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction) convertot_17 Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction) convertot_18 Aspects of style in Christmas Literature (on the material of Charls Dickens Christmas fiction)