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1. Clausen, Christopher, Sherlock Holmes, Order, and the Late-Victorian Mind’ in Georgia Review, Vol. 38 (1984) p. 112
2. Conan Doyle, Arthur, The Sign of Four (London: Penguin Classics, 2001) p. 45
3. Conan Doyle, The Sign of Four, p. 45
4. Knight, Stephen, The Case of the Great Detective’ in Conan Doyle, Arthur, Ed. Hodgson, John A., Sherlock Holmes: The Major Stories with Contemporary Critical Essays (Boston: Bedford/St. Martin’s, 1994) p. 370
5. Conan Doyle, Arthur, The Adventure of the Blue Carbuncle’ in Sherlock Holmes: The Complete Illustrated Short Stories (London: Chancellor Press, 1992) p. 12
6. Clausen, Christopher,Sherlock Holmes, Order, and the Late-Victorian Mind’ in Georgia Review, Vol. 38 (1984) p. 112
7. Conan Doyle, Arthur, The Adventure of the Speckled Band’ in Sherlock Holmes: The Complete Illustrated Short Stories (London: Chancellor Press, 1992) p. 136
8. Pyrhönen, Heta, Mayhem and Murder: Narrative and Moral Problems in the Detective Story (Toronto: University of Toronto Press, 1999) p. 21
9. Cawelti, John G., Adventure, Mystery and Romance: Formula Stories as Art and Popular Culture (Chicago: University of Chicago Press, 1976) p. 99
10.Christie, Agatha, The Mysterious Affair at Styles (London: Harper Collins, 2005) p. 51
11.Grella, George, Murder and Manners: The Formal Detective Novel’ in NOVEL: A Forum on Fiction, Vol. 4, No. 1. (Autumn, 1970), p. 33
12.Lodge, David, The Art of Fiction (London: Penguin, 1992) p. 103
13.Auden, W. H., The Guilty Vicarage’ as quoted in Grella, George, Murder and Manners: The Formal Detective Novel’ in NOVEL: A Forum on Fiction, Vol. 4, No. 1. (Autumn, 1970), p. 33
14.Valentine Cunningham, British Writers of the Thirties (Oxford and New York: Oxford University Press, 1988), 282-284
15.Michael Hayes, Popular Fiction 1930-55,î in Literature and Culture in Modern Britain, Volume Two, 1930-1955, ed. Gary Day (London and New York: Addison Wesley Longman, 1997), 70.
16.Robin W. Winks, introduction to Detective Fiction: A Collection of Critical Essays, ed. Robin W. Winks(Woodstock, Vt.: Countryman, 1988), 1.
17.Willard Huntington Wright, The Great Detective Stories, in The Art of the Mystery Story, 34.
18.Julian Symons, Bloody Murder, From the Detective Story to the Crime Novel: A History (London: Faber & Faber, 1972; revised edition, New York: Viking, 1985), 16-17.
19.Hayes, ìPopular Fiction 1930-55,î 77; Symons, Bloody Murder, 17; Anthea Trodd, Womenís Writings in English:
20.Britain 1900-1945 (London and New York: Addison Wesley Longman, 1998), 130.
21.Si‚n Nicholas, ìBeing British: Creeds and Cultures,î in The British Isles 1901-1951, The Short Oxford History of the British Isles (Oxford: Oxford University Press, 2002), 105.
22.Symons, Bloody Murder, 108.
23.Light, Forever England, 65; Watson, Snobbery with Violence, 96
24.Winks, introduction to Detective Fiction, 2.
25.Wright, The Great Detective Stories,î35.
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Introduction
CHAPTER 1.
What is Genre’, different approaches of genre., detective genre
CHAPTER 2. The writing style of Agatha Christie
2.2. Identifying Christie’s style and the analyze of stylistic device
Conclusion
Bibliography


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